On the 24th of November, myself and a dozen others spent the afternoon with Simon Zdraveski, his interns and 90 years worth of pleating history in a small factory in the industrial inland of Williamstown, Melbourne. It was both magical and a bit sad
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Some of you might be familiar with this article about Specialty Pleaters from Broadsheet and if not, its worth the read. There are approximately 12 pleating businesses left in the world Australia has two of them and theyre all struggling to stay alive as industry moves away from labour-intensive processing, moves what little specialty work there is left offshore, or just dont know of its existence.
Simon Zradevski, in the Specialty Pleaters workshopEven one of the last volume customers of the pleating world school uniforms is moving away from this trade as our kids school clothing policy becomes increasingly casualised track pants and polo shirts, compared to the button up shirts, ties and pleated kilts that I grew up wearing on the daily.
The factory space itself is filled with pleating mold forms going back goodness how long knows none of it has ever been catalogued autoclaves and custom-built steam ovens, and four or five pleating machines all of which bar one have been decommissioned. A treasure trove of possibility that will soon be lost Simon currently operates Specialty Pleaters to cover overheads, no wages (not even his), and that even is a challenge.
Hokum Australia recently did an indiegogo campaign to help raise funds to continue to keep Specialty Pleaters alive with the option to donate or buy a pleated silk twill print scarf which I believe were partly inspired by Hermès scarves, but with printed designs more in line with Hokums distinctive style. Theyre stunning and Im really quite sad I didnt know about it before it ended! Simon mentioned that Hokum will potentially sell the scarves online (albiet at full retail price) in the near future I was lucky enough to see the first pleated scarves come off the machine for those of your who were lucky enough to secure one theyre stunning!
TECHNICAL LOWDOWN Machine Pleating
Machine pleating is obviously used for bulk pleating work producing far greater volumes with less human contribution. Interestingly, it relies on a combination of heat and pressure and produces pleating instantly, unlike pleating by hand which is a 24 hour process using heat and steam.
But as with hand-pleating, the fabric is still sandwiched in between two layers of paper for machine pleating protecting it from direct contact with the machinery.
The heat and pressure create a totally different result with machine pleated fabric having much stronger profile, compared to the softer outcome of the hand pleated method. It also appears to impact the hand of the fabric. Below shows the exact same fabric that has been pleated with both techniques as a comparison machine pleated on the left, hand pleated on the right:
But pleating is one of those things that really cannot be well communicated in a 2D medium Ive saved a lot of my short-length videos on Instagram stories Ive also spent more time than I care to admit figuring out how to insert videos into this medium, so I hope you enjoy them!
TECHNICAL LOWDOWN Hand Pleating
These days pleating is more of an artform than a business relying on custom skilled hand work to keep it visible which means these businesses need to be creative to be commercially viable.
Hand pleating is a gentler technique that gives a softer look, using heat and steam to create this. You can pre-hem your fabric before pleating by hand however this is best for hems on the straight grain. For hems on a curve like the circle skirt of a sunray pleat its best to hem post pleating, once its been hung to let the bias fabric sections drop. Ideally though this would potentially be left unhemmed, or run through with a baby-lock stitch (which does detract slightly from the sharp end finish, creating a soft wave to the end pleats).
You may recall that back in my very early sewing days I had a skirt pleated, and by Specialty Pleaters too. But knowing what I now know Im embarassed by how little I was charged for the work and then I went on to talk negatively about the outcome without understanding the reasons why what had occurred, happened. Im hoping I can somehow atone for it through this write up. Ill get to that shortly!
Hand Pleating is a 24 hour process, requiring more than one person when the panels being pleated are large. The fabric is placed between two paper forms, then folded up, secured, then placed inside a steam oven (time and temperature dependant on fabric). Once it comes out of the oven, the wrapped up form must then cool overnight to ensure all the moisture has been removed from the paper. These ovens are custom built costing anywhere between AUD$50k-110k.
The paper (285gsm, with a wax protective coating which is no longer available in Australia) form molds themselves are a precision work of origami art, with even a simple box pleat pattern taking days to complete. Simon has a few forms by a colleague in Egypt Shady Mohammed from Global Pleating created these two below, and many more his Instagram page is a delightful trip down the rabbit hole for anyone who loves a bit of mind-boggling 3D origami geometry!
Im grateful that some of the artisans in this space are willing to share their art form as I doubt youd ever be able to go behind the doors of the better known European pleaters like Maison Lognon which Chanel have just bought out. Regardless, Shadys pleating form creation is just incredible! Whilst there is definite benefits to keeping IP close to your heart in new and emerging industries, when the art form is losing traction and dying I do believe the opposite is true to attract people back and invigorate interest to keep it alive.
One of the more bonkers mold forms is the Artichoke Pleat, which we were able to see. I took the videos in a series of successive bursts (so I could put them on Instagram) but Ive also uploaded the videos here if youve like to see them. I can easily believe that it would take half a day to get the fabric and second form all into place before popping it in the oven!
This would make an amazing flutter sleeve on a blouse!ATONEMENT FOR MY PREVIOUS COMMENTS ON PLEATING
Simon, to his credit, has stopped the business from charging rates that are unsustainable, in an effort to operate on commercial terms. Now I am better informed, I am quite ashamed of how much I was charged by the previous owner of the business for my two sunray pleats something like $40 for the pair. $20 for a single long sunray pleat when you consider the labour and production time involved is just wrong. 30 minutes of labour to get the fabric in the form, then the costs of heating up the auto-clave, then time spent packaging it back up to send back to me is not $40 worth of product.
Plus, I sent in my fabric in a satchel bag so the fabric would have been crushed and creased and needing pressing before putting it in the form which I also wasnt charged for.
Simon now requests that fabric sent in is rolled up with tissue paper and put in a mailing tube, which he can then send it back in pleated fabric cant just go back in a satchel bag!
I was also utterly unfair about the un-evenness of the hem at the time I was green enough about sewing to have no understanding of the impact of bias cut fabric, so Ive since updated that post to reflect this better.
My Anniversaire Amour dress (from back in !!!), featuring a sunray pleated circle skirt.FABRIC
It appears to be common knowledge that you cant pleat natural fibres which is incorrect. You can pleat any fabric including tulle (but excluding net. As soon as you get more gaps than fibre, its not an option).
Mariano Fortuny was a pioneer early last century with pleating silk the highly secretive patented mushroom pleat allowing a radical amount of movement for those wearing his rather simple but form fitting garments. His techniques were all done by hand (synthetics and pleating machines were not invented until mid-last century) with incredibly accuracy and consistency. International Pleating (New York) have a wonderful article on Fortuny Pleating. What is incredible is that this silk hand pleated fabric still holds its shape today, with several museums around the world showcasing Fortunys infamous Delphos gown.
Image of Fortuny Pleating via Susanna GalanisI think what has been lost in translation is that pleated synthetic fibres are far more durable and can withstand todays methods of dry cleaning. There are no chemicals used in the pleating process just heat and steam (and pressure if youre going the mechanical route) so for natural fibres, applying heat and steam overwrites the previous fibre memory of being pleated. Synthetic pleated fabric can be cold hand washed and drip dried in the shade making them far more practicable for todays use. Silk fabrics can be beautifully pleated one of Simons interns showed us a a few samples the drape is incredible!
Typically lighter weight fabrics are used like in the above left image (showing off the pleating technique that took Issey Mikaye to fame). Thicker/heavier weight the fabric can also be used like in the above right image, however there is a need to use proportionally larger pleat patterns, meaning the fabric is unlikely to snap back into shape like the smaller pleating. You can see how the pleats gently fold out in the teal crepe fabric. The video of pink fabric below is quite similar to the hand of Issey Miyake pleating:
With hand pleating, the smallest you can really go is Australia is 1cm pleats. Perhaps you could go smaller, but the mold forms dont exist With machine pleating you can get down to 3mm which turns any fabric into an incredibly structured form, like below (which can only be really seen in motion).
1cm hand plated panelA WORD ABOUT DRY CLEANING
Its not really dry. Perhaps more accurately no water is used. Instead, solvents are used to draw out dirt and impurities, then garments are heated and dried to remove the solvents (which have a far lower evaporation point than water). Which is fine for synthetics, but not pleated natural fibres. One of the things Ive been trying to find in Melbourne a really really good dry cleaner. Somewhere to take my French Jacket, for example.
Thanks to Simon I now know where Ill be going, as there are apparently two in Melbourne who still follow original methods:
Syndle Dry Cleaners (various locations) who only do bridalwear, and
Domain Dry Cleaners (in South Yarra).
Melbournians, you can thank me later ;)
INSPIRATION
One of the ladies I met during the course of the afternoon Gail is an incredibly talented sewist who has already worked with Simon twice for two dresses shes sewn both of which have been worn at Fashions on the Field for the Melbourne Cup. Ill see if I can get some pictures of her frocks to share with you!
I left some green fabric with Simon at the end of the afternoon to have a specialty pleat made up for a skirt, and also discussed with him a more ambitious pleating option that Im currently sourcing the right fabric for I predict there is going to be quite a few pleated skirts in my future!
Im feeling my sewjo coming back thinking about how fun it will be to wear the above this summer! Im thinking a midi-skirt for this one and I look forward to sharing it with you soon!And Ill leave you with a few images Ive pulled from Pinterest and the knowledge that Tatyana will be hosting a pleated garment sewalong for ASG members in December, details to be announced soon!
Image via ThePhilophiles which references this as a Celine shirt? Stunning! Id like one of these, please. Fun with sleeves! Image via Pinterest. Coperni Femme | Fraise shirt with detachable, modular ruffles in crisply crimped cotton poplin Im so into the white shirt and pleated skirt feels. Victoria Beckham, image via The Daily Mail Source unknown. This garment is particularly reminiscent of The Makers Aterlier Asymmetric Gather Dress, as worn by Anna! This is a new-to-me pattern company and I love their stuff. Source: Unknown. Status: Stunning. Burberry Prorsum Pleated Silk Dress, via Clothes-Fashion.com (more pictures of this beauty in the link!)And lastly (but not leastly) this fabulous wrap-skirt creation, designed and made by one of Simons interns, who is a student at RMIT. I love how she has adjusted the alignment of the front wrap to get the pleats on an angle, but at the back they are straight up and down!
Note: I paid for the privilege of attending this session with Specialty Pleaters. If you dont live nearby and are keen to have something pleated get in touch with Simon as postage is totally an option (just rolled up in a tube to prevent creasing!)
Also there is another wonderful blog post about pleating here, if this interests you! Thank you to Mrs Mole for bringing it to my attention.
Glory Tang Machinery Product Page
Zoes post on Constructing Sparkle inspired me to finally write a post about pleating. Pleating is yet another of my perseverations. First Id like to draw your attention to a book entitled Haute Couture: Tradesmens Entrance. I love this book (only available from Amazon UK but its not expensive for what it is). The Tradesmans Entrance is about the supporting cast of artisans who support Haute Couture; you may have heard of some of them such as the House of Lesage (interesting article). In todays example, haute couturiers dont do their own pleating, they outsource it to Lognon. This book covers haute couture artisans working in embroidery, shoes, haberdashery, hats, feathers, lace, enamel and nacre, pleating, costume jewellery, dyeing and fabrics. Its quite a lovely book, enormous pictures, oversized (10 x 13). A tragic and recurring theme of the book is that these artisans are quite elderly, and with the increasing costs of handwork and too few skilled replacements, its likely their businesses will eventually close. Ill be including some of the photos from the book in this post.
First, there are three basic kinds of pleats. Theyre either machine or hand set. Below is a photo of a machine pleater, courtesy of Jesse Heap who sells refurbished pleating machines.
This kind of machine does the very fine pleats you see below (from the book).
On Jesses website, you can see photos of sewing machines (called Box pleaters) that form and sew pleats. These are pleats that are formed during the sewing process and they arent heat set like most of what wed describe as pleating. Speaking of pleating machines, I found two additional pleating equipment sellers. Ill close this post with their contact information in addition to the list of pleating services I know of. Before I forget, since this post really isnt about how to do pleating, I wont be listing any links for instruction. Thats not to say that I dont have any. Get my related pleating links here (via del.icio.us). Unfortunately, there arent many.
Back to pleating. The hand made pleats are made by using a mold (also called frame or form), of which there are two layers, inside and outside. You lay the fabric in between the scored and folded oak tag, roll it up and steam it in an oven. On some fabrics, chemicals are used to enhance the effects. Below is a photo of a skirt lying in a mold.
Pleating molds are expensive and time consuming to make and one tiny mistake in one fold ruins the whole thing and you have to start over (dont ask how I know). Below is a photo of a bunch of pleating forms from the book.
Most of the time we think of pleats as being straight lines but that is not true of all pleats, particularly machine set pleats. Its much easier to form patterns with machine set pleats. The example shown below comes courtesy of F.Ciment in the UK.
While shaped pleats are largely unknown among the hand made variety, they arent impossible (my topic of perseveration). As an example, below is a photo (again from the Tradesmens Entrance) of a shaped hand pleating mold (sometimes called frames).
Ive made several different kinds of shaped pleats. Forgive me for the photo below, its a terrible sample (a cat peed on it before I could set the dye) but perhaps you can pick out the lines of it. I had better ones but those were lent out and never returned ~sigh~. I was experimenting with painting the fold lines in case you wonder why dye is involved.
An illustration of a more successful design is below. The black lines are raised folds. The grey lines are the under folds. Oh, and I did come up with a way to set these chemically. Im pleased with how well that works.
Its only been since I started playing with shaped pleats (its easiest to set these chemically) that Ive become interested in origami. Also, Ive found a lot of shapes that lend themselves to the process. An example is below. This is an illustration of the electrodynamic properties of a vacuum. Who knew it could also be used as a pleating pattern?
Below are the resources Ive collected. The first three are equipment suppliers in case you ever need a pleating machine. The resources following those are pleating contractors. By the way, it is rare that a pleating contractor just does pleating only. Rather, these guys are whats known as novelty houses. These people also make custom buttons, belts (out of your fabric to match) and trims of all kinds.
Equipment:
Jesse J Heap & Son Inc
576 South 21 St
Irvington, NJ
973-372-
Jesse also sells fusing machines, heat transfer and dye sublimation equipment, inspection machines, cutters and other interesting stuff.
Sewmaster Incorporated
P. O. Box 432
Hinton, West Virginia
: (304) 466-
Chandler Machine Sales Co, Inc.
690 N. Queens Avenue
Lindenhurst NY
(631)-
http://www.chandlermachinesales.com (site is not live)
Pleating and novelty contractors
Accurate Pleating Co
445 Richmond St W
Toronto, ON , M5V 1X9
: 416-703-
Acme Pleating & Fagoting Corp
147 W 26th St,
New York, NY +
(212) 674-
Advance Pleating & Buttons Co.
750 Florida Street
San Francisco, CA
415.648. or 415.648..
Alexander Report has seven other pleating services not included in my list. From the link page (free access) type pleat in the search box. Id give you a direct link but there isnt one.
F.Ciment (Pleating) Ltd.
18a station close
Potters Bar
Herts EN6 1TL
: 661 311
Koppel Pleating, Inc.
890 Garrison Avenue, 3rd Floor
Bronx, NY
718 893-
Metro Novelty & Pleating
E. Vernon Avenue
Vernon, CA
213 748-
213 582-
Perma Pleating & Trim Corp
Anderson Road
Greensville, SC
864 269-
864 269-
Pleats Plus
867 Isabella Street
Oakland, CA
510 625-
510 986-
Regal Originals, Inc.
247 West 37th St.
NY NY
212 921-
212 302-
San Francisco Pleating Company
425 2nd Street, 5th floor,
San Francisco, CA
415.982..
Stanley Pleating & Stitching Co Inc
242 W 36th St
New York, NY
212 868-
US Apparel Solutions
249 West 34th St., Suite 506
Manhattan, NY,
: 212-868-
(and a toll free number for customers)
If none of these resources are of use, you might consider searching for a business by SIC code (NAICS code ). This SIC code also includes the following kinds of businesses:
* Quilted fabrics or clothmfg
* Quilting, for the trademfg
* Appliqueing, for the trademfg
* Art needleworkmfpmmfg
* Buttonhole making, except fur: for the trademfg
* Crochet ware, machine-mademfg
* Decorative stitching, for the trademfg
* Emblems, embroideredmfg
* Embroideries: metallic, beaded, and sequinedmfg
* Embroidery products, except Schiflli machinemfg
* Eyelet making, for the trademfg
* Hemstitching, for the trademfg
* Lace, burnt-outmfg
* Looping, for the trademfg
* Needlework, artmfpmmfg
* Novelty stitching, for the trademfg
* Permanent pleating and pressing, for the trademfg
* Pleating, for the trademfg
* Ruffling, for the trademfg
* Scalloping, for the trademfg
* Stitching, decorative and novelty: for the trademfg
* Swiss loom embroideriesmfg
* Tucking, for the trademfg
For more information, please visit Fabric Pleating Machine.